Monday, September 1, 2014

RECENT RELEASE - Dark Edges by Michael Keshigian



The basic theme of the poetry centers around what we witness and/or endure in life, those dark edges of stress, loss, or trauma and the questions those events raise which are difficult to comprehend or answer, making us, at times retreat into the world of dreams and imagination for the sake of solace or self preservation.  The contents reflect divisions of angst, dreams, and loss.


Reviews: 

"With rich and visual language, the first lines of Michael Keshigian’s poetry transport the reader into the poem. One sees the lakeshore he describes or is engulfed by the forest in which he wanders, all while the character and circumstances develop in just a few lines.  Michael Keshigian demonstrates that poetry can be complex without being obscure."

--Roy Dorman, Submissions Editor, Lake City Lights


"Michael Keshigian has a gifted pen, and a command of instantly evocative imagery with unexpected words, just my thimble of thallium."

--Philip Vermaas, Editor, Misfits Miscellany


About the Author:

Michael Keshigian is the author of eight poetry books and chapbooks, Eagle’s Perch (Bellowing Ark Press, 2012), Wildflowers (Flutter Press, 2011), Jazz Face (Big Table Publishing, 2009), Warm Summer Memories (Maverick Duck Press, 2007), Seeking Solace (Language And Culture.net, 2007), Silent Poems (Four-Sep Publications, 2004), Dwindling Knight (BoneWorld Publishing, 2000), Translucent View (Four-Sep Publications, 2000).  His poetry has been widely published in numerous national and international journals, anthologies, and a variety of periodicals and online publications. He is a 5-time Pushcart Prize and 2-time Best Of The Net nominee. 

48 pages, 34 poems

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Monday, August 18, 2014

NEW RELEASE - Archeology by Linda Simone



Why the theme Archeology?

“I am the archaeologist of love. I’m digging for the bones of a loved one I shot and buried decades ago.”
                                                    --Jarod Kintz from Love Quotes for the Ages 


What is love if not one continual dig into the shards and fragments, the moments and pieces we collect to make sense of our lives? In Archeology, I juxtapose poems based on real archeological finds with poems about a variety of modern-day experiences that serve to reconnect people, both dead and living, and renew family bonds. In the writing of these poems, I was amazed at what can be learned about love from the unearthing of side-by-side skeletons in an ancient Italian town.  Or how easy it is to feel the concern of a prehistoric gatherer when her mate hasn’t returned from the hunt. I was equally surprised to discover that eating a plum or losing sight of a child in a busy store or the simple act of replicating a family recipe could be the way in to primal feelings and experiences…what I believe makes us human.

Review:  

“Like a master weaver, Linda Simone pulls the motif of archeology throughout the poems in this intricately structured collection.  She skillfully juxtaposes historical and personal events, letting them play off and highlight each other.  In these well-crafted, sophisticated poems, she takes us to such places as China, Paris, Italy, and Russia, a journey which leaves us saying, along with the speaker in ‘Hugging Skeletons,’ Tonight I grasp / archeology like never before.”

—Diane Lockward, award-winning author of The Crafty Poet: A Portable Workshop and three full-length poetry collections

About the Author:  

Linda Simone’s first chapbook, Cow Tippers, won the 2006 Shadow Poetry Chapbook Competition. Her 15-poem sequence, “Stations of the Cross,” appeared in the anthology, Alternatives to Surrender, and was nominated for a Pushcart Prize. Her poems have been widely published in print and online journals and anthologies. Her essays have appeared in the New York Times, and on the Italian Americana website, “Foods of Affection.” Moon: A Poem, a book written for young children, was published by Richard C. Owen Publishers. She is an aspiring watercolorist and has been exploring life in New York City for the last 10 years. www.lindasimone.com

42 pages, 27 poems

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Friday, July 25, 2014

NEW RELEASE - Corpus Christi Octaves by Jose Angel Araguz




In his marvelous Corpus Christi Octaves, Jose Angel Araguz uses flexible eight-line syllabics that are tight but cozy, spacious enough to maneuver in.  Open and alert, his poems have a knack for making connections, a gregarious inclination to reach out.  Two of the three sequences here are elegies, and the octaves work as associative chapters in Araguz’s free-floating meditations on friendship, memory, and loss, movingly building from the particular to the sublime: “the other side of where you are.”  He brings back his friends so powerfully and yet so casually that we can meet them and mourn their loss through the easy-going, exhilarating spell of his words.

- John Drury, author of The Poetry Dictionary

Writing with a graceful concision to the scale of the octave, in syllabic lines that modulate subtly from the conversational to the elegiac, Jose Angel Araguz achieves an impressive range of variations on the themes of poetry, friendship, and loss. Corpus Christi Octaves is a skillfully-developed, affecting work.

Daniel Groves, author of The Lost Boys


Corpus Christi Octaves is an intimate collection that hems in the little thunders inside one's longing to witness. Jose Araguz echoes the language of a paraclete, the diction of the ocean, and the lullaby sounds of oars to water. "When the lights gave out, I would write by the moon / When the moon gave out, I'd write trusting the words." This beautiful book invites us to live alongside poetry, to listen immeasurably.

Sam Roxas-Chua, author of Fawn Language




Jose Angel Araguz, author of the chapbook The Wall (Tiger’s Eye Press), is a CantoMundo fellow. Hailing from Corpus Christi, Texas, he has had poems recently in Barrow Street, RHINO, Hanging Loose and Poet Lore. He is presently pursuing a PhD in Creative Writing at the University of Cincinnati. He runs the poetry blog, The Friday Influence.

37 pages, 16 poems


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Tuesday, July 8, 2014

NEW RELEASE - Trestling by Bernadette Ulsamer



Trestling by Bernadette Ulsamer is a stunning book of blood, bone, and body parts. I am song, I am incorruptible…says this brave speaker—and she is. She is the one who writes through resistance to say the things we’re not supposed to say. In these poems of original voice, telling becomes a splay of slashing details in which lingerie is a character, class is a character, and survival is not a given. This is a writer who can start a poem with Ash Wednesday and end it with deep hunger: …like some cheerleader swallowing/a black-eye greased football player/still unshowered after the game.

--Jan Beatty, Author of The Switching/Yard

I kissed the dirty ground, Ulsamer writes, and that is what her poems do:  strike a balance between love’s grit and love’s daily exhalations. In language that sharpens our ears to the music of plain speech, Trestling takes us into bedrooms and bars, hospital rooms and court rooms.  We see, in striking and memorable detail, blood and bras, hands clutching hips and hands clutching rail tracks as a night train approaches. Ulsamer’s world is a tricky one, and these poems face its dangers head on—not for the thrill, not for the challenge, but as a reckoning that this is what life is:  messy, frightening, and scream-worthy beautiful. 

--Nancy Krygowski, Author of Velocity 




Bernadette Ulsamer earned an MFA from Carlow University where she is a member of Madwomen in the Attic. Her poetry has appeared or is forthcoming in Pittsburgh City Paper, The Main Street Rag, Girls with Glasses Literary Journal, Cossack Literary Journal, Roar Magazine, The Broken Plate, and has been anthologized in Voices from the Attic and Along These Rivers. Her poem “ICU, Holy Thursday” was long-listed for the International Fish Poetry Prize 2013.

32 pages, 25 poems


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